Culture & Leisure

In October, two local films, "Warriors of Future" and "Table For Six", broke over HK$70 million at the box office while some movie related people wonder whether the Hong Kong film industry can have its second glorious "1980-90" era.  "As time passes and more significant events occur, there will inevitably be more compelling movie ideas.," Luk said.   "Warriors of Future", starring Louis Koo, Lau Ching Wan, and Carina Lau, is the biggest movie ever made in Hong Kong while "table of six" became the top Hong Kong-produced comedy at the box office in Hong Kong in 2022. Luk said social events can inspire new themes to Hong Kong films and create a craze. For example, a 2002 film "Internal Affairs" created with the background after Hong Kong's handover in 1997. Hong Kong is also attempting to produce a wider genre of films. Over half of the films with the gangster genres in the 1970s to 1990s to kung fu films such as “Ip Man” series from 2008 to 2019, the Hong Kong films mostly are about themes of police and bandits. “By introducing science fiction films to the local market, "Warriors of the Future" has made an important first step for Hong Kong's film industry,” said Luk. Chan Hoi-king, 21, a former film student in Hong Kong Baptist University, now studying at the University of Birmingham thinks the Hong Kong film industry is expected to revive. “The government has begun to face up to the development of the film industry, and the rebirth of Hong Kong film is expected,” said Chan. The Culture, Sports and Tourism Bureau has set aside approximately HK$240 million to promote the development of Hong Kong films. Eligible film projects will receive a maximum of HK$9 million in funding under the new measure "Asian Cultural Exchange …

A typical day for Ka Yu Ng, a 32-year-old independent artist in Hong Kong, starts by reflecting her anxious thoughts, embracing her sensitive emotions; feelings of vulnerability that she once hated and tried so hard to supress growing up. She spends most days on Peng Chau Island in her small studio, embraced by the melodic instrumentals playing in the background, engulfed by the scent of sandalwood incense, as she channels her feelings into art, words, and music.  Away from the hectic city, 5+2 studio, named after her childhood nickname which sounds like “five plus two” in Cantonese, is Ng’s daily personal exhibition venue where she is free to produce visuals.  Having been in Hong Kong’s art scene for three years, Ng thinks the local art has developed. “The locals are more aware of building their own style. I believe it’s a very good start,” she said. Local art in Hong Kong has been gaining more attention since the social movement in 2019 and the shortly followed COVID-19 pandemic. However, some artists have faced restrictions on creativity, which has led them to question the extent of their artistic freedom.   “The social unrest and the pandemic are reminding people that something in this place needs to be protected, the culture in particular,” Ng said.  Hong Kong comprises approximately 29,420 creative establishments, with around 136,470 members, according to the official website of the local government. As a culturally dynamic city, it boasts 11 components of the cultural and creative industries, including arts, antiques and craft, accounting for about 5% of the city’s GDP. This year, the government announced a series of new subsidies for art talents. Chief Executive John Lee Ka-chiu pledged new funding for the new generation of artists, in his first Policy Address in October. Financial Secretary Paul Chan committed several …