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The Young Reporter

Society

Animal rights activists protest HKTVmall’s parent firm over animal experimentation projects

People for the Ethical Treatment of Animals Asia, an international animal rights group, staged a protest outside HKTVmall’s parent company in Tseung Kwan O on Friday, demanding the firm halt all animal experiments linked to its life sciences project. According to Hong Kong Technology Venture Company’s 2025 annual report, the firm has  conducted 38 animal experiments since 2022 to keep organs – including heads and limbs – for extended periods after removal, aiming to develop new technology for long-term human organ preservation. The organisation called on HKTV to adopt non-animal testing alternatives and urged the public to boycott its product over what it described as animal cruelty. Four protestors who dressed in bloodstained clothes and wore pig and lamb masks stayed in a “pool of blood” outside the headquarters of HKTVmall for about an hour from noon. Jackie Tang, the campaigner and social media coordinator of PETA Asia said such visuals expose the “bloody reality” of animal testing. He said HKTV has been experimenting with “zero transparency,” as there is no way to oversee how the experiments were conducted, nor any indication that ethical alternatives were considered or how many animals were killed. “They claim that there is no cruelty involved, saying the animals are killed after being put into amnesia and decapitated, but they are still sentient beings, they feel terror and pain,” he said. Louis Ng Wai-mei, an advocate who represented Animal Rights Education by Non-profit Making Veterinary Services Society, said medical techniques and drugs used today were undeniably developed through animal testing. But she argued that scientific progress does not necessarily rely on animal testing. “Scientific and technological progress comes from challenging outdated practices and striving for better,” Ng said. She hopes that animal testing will eventually be abolished. HKTV has invested over HK$44.5 million in this …

Society

LGBTQ couples in Hong Kong face difficulties securing legal protection

Ah Moon, 55, who does not want to reveal her real name, initially had no intention of making decisions about legal safeguards for herself and her same-sex partner related to end-of-life matters. She began to consider these issues more consciously during a hospital stay in 2002, while she was in a relationship with her ex-girlfriend. “I was afraid of what would happen if I never woke up again, so I drafted a few pages of plans on blank paper myself after discharge,” she said. Hong Kong does not legally recognise same-sex marriages. Ah Moon said because her family does not care about her relationship, she worries that her wishes after death will not be honoured.  In September, the Legislative Council rejected a bill to legally recognise same-sex partnerships by a large majority, leaving same-sex couples to rely on fragmented legal documents and personal requests to protect end-of-life decisions such as inheritance, medical choices and funeral arrangements. Rufina Ng, a senior associate at Hastings & Co, a law firm that offers free legal consultation for the LGBTQ community, said same-sex partners are highly recommended to plan in advance for end-of-life, though they still face limitations. Ng said the most common end-of-life legal challenges faced by same-sex couples in Hong Kong are claiming the body and inheritance, particularly if there is no will or there is conflict between the surviving partner and the deceased’s family. “Same-sex couples lack the legal status of spouses or family members under Hong Kong’s legal framework. When one partner dies without a will, the surviving one currently has no inheritance rights and other relatives may also oppose their handling of funeral arrangements,” she said. Hong Kong’s current inheritance laws only recognise spouses and a few other relatives. Unmarried partners, whether same-sex or not, receive no legal protection. …

Culture & Leisure

Chops, sidekicks and smashes: Professional wrestlers wreck the ring at Chai Wan

On the night of April 5, Ricky Marvin, a Mexican professional wrestler, knelt in a corner of a wrestling ring at Chai Wan Youth Square, trembling as he looked towards the three other wrestlers surrounding him. This was a fatal four-way match, in which professional wrestlers compete simultaneously, though three of them had teamed up against Marvin. Marvin swore and shouted at his opponents. The three wrestlers smirked and stamped on him as the audience burst into laughter.   Across two nights, April 5 and 6, 18 professional wrestlers exchanged blows and kicks at an event organised by the Hong Kong Pro Wrestling Federation, which has staged wrestling events since 2009. Titled “Shin Squared Circle Vol.2: World Wide Wrestling”, the event featured three international wrestlers, Ricky Marvin from Mexico, Katsuhiko Nakajima from Japan and Elijah Blum from Germany.  The two-night event included nine matches, including singles, tag team (2 vs 2) and fatal four-way matches and attracted around a hundred audiences. For Blum, it was his first time wrestling in Hong Kong. He has pursued his professional wrestling career in Germany since 2021, and said the setting in Hong Kong is quite similar to that in Germany. “In Germany, it is hard to entertain the audience in the cities as they have already seen so much wrestling. I feel the people in Hong Kong are really up for being entertained. They love the whole show, which is amazing,” he said. He said he would like to wrestle in Hong Kong again if HKWF invites him back. Danny Freer, 49, is a school teacher in Hong Kong from the United States. He and his wife have followed professional wrestling for 12 years and have attended several World Wide Entertainment events before. The married couple were there to support Owen, a local wrestler.  …

Society

Would you like to be “friends with badminton”? Hong Kong focuses on abstinence, not sex education

When she was just 15, Fung, who does not want to reveal her full name for fear of negative consequences, found herself having her first sexual encounter. It was neither planned nor reckless. Years later, she said she did not regret it, but she wished she had known more about her body, consent and the emotions she felt that night. “I don’t feel bad about my decision, but if I had known more about this behaviour, I wouldn’t have felt so confused,” Fung said. Fung’s story is not unique. As access to social media, pornographic content and online conversations about sex continue to rise, the city’s Gen Z population is learning about intimacy at a younger age in a world that they say is more confusing than ever. But they say sex education in public schools has not caught up. Fewer young people are having sex, according to the latest survey by the Family Planning Association of Hong Kong in 2021. But among those who are, the average age has dropped to 14. In 1997, the Education Bureau published guidelines for schools on sex education, but left it up to the schools to design their own programmes. By following those guidelines, schools focused more on values and attitudes towards sexuality, while providing less information about practical knowledge, such as condom use and how to prevent HIV. Sex education in formal lessons often emphasises the physiological aspects, such as reproduction mechanics, which may overlook psychological and social topics, such as sexual consent and gender equality, according to a 2022 study by the Equal Opportunities Commission, a semi-governmental agency concerned with public social issues. “When condoms or the process of sexual intercourse were mentioned in class, the teacher just briefly glossed over them and moved on. I didn’t get any practical knowledge …

Culture & Leisure

Art Basel Hong Kong: Asia debut of Zero 10 sparks mixed reactions

Zero 10, a digital art-theme exhibition area featuring 14 exhibitors, made its Asian debut on March 27 at the three-day Art Basel Hong Kong this year. The event drew 91,500 visitors, but scepticism towards digital art and AI use remains.  Harvey Rayner, 51, an English artist for Art Blocks, writes code and algorithms to let people generate their own digital artwork on the computer and in print. “This type of digital artwork is not yet widely acceptable,” said Rayner. Joan Chen, 24, an exhibitor of Art Blocks, said some buyers may not have been exposed to digital artworks before, but they find participating in the creation of digital art a novel experience. Lydia Lee, 37, visited Rayner’s exhibition area and asked for the story behind the digital art piece creation. “I believe the collection value of digital artworks lies in the public’s interaction with them,” said Lee. “It is only valuable if one fully participates and understands the creative logic behind it.” “We’re really interested in educating and showing people here what generative art is,” said Rayner. According to the Art Market Report 2026 by Arts Economics, digital art is one of the most popular purchases among high-net-worth individuals.  In the early sales of digital works at Art Basel Hong Kong this year, seven artworks priced over US$10,000 have been successfully sold. Joshua Chan, a 36-year-old visitor, said digital art is a new trend in the art world, but he finds it difficult to assess its value because of AI development. “I think the general public will be attracted by the interesting interactive installations in Zero 10,” he said. “But it still takes time for people to truly appreciate and accept new forms of art.” “Everyone may use AI to generate unique works. This is not something that only artists …

Culture & Leisure

Zero 10 makes its Asian debut at Art Basel Hong Kong

Art Basel Hong Kong 2026, the annual art event, returned on March 27 at the Hong Kong Convention and Exhibition Centre and will run for three days. This year's exhibition introduces the “Zero 10” digital art zone – its first appearance in Asia. The zone focuses on the use of technology in art, with 14 exhibitors showcasing how new tools are changing the way artists create. According to the  Art Basel and UBS Global Art Market Report 2026, digital art is the third-largest category in total expenditure. And the expert said that with Zero 10 in Hong Kong and heading to Art Basel Switzerland this June, watchers expect digital wave growth through 2026. Follow the link below to watch the full reel: https://youtube.com/shorts/IkZ7smdla6k?si=sUcoGRbA6Qd92MWf

Society

HKwalls 2026 innovates moving street art

  • The Young Reporter
  • By: MA Yifan Chloe、SHI Puxuan AmyEdited by: Chun Lim LEUNG
  • 2026-03-30

HKwalls Street Art Festival debuted its 11th edition from March 21 to 29 at the former Police Married Quarters in Central, turning Central and Western District into an open studio for street art.  More than 20 local and international artists from 14 countries took part in  workshops, art tours and traditional wall paintings, with the festival proposing a moving street art exhibition that allows artists to paint on trucks and let them roam across the city. Jason Dembski, co-founder of the HKwalls, said he had tried multiple channels to cooperate with truck owners willing to have their track be graffitied, including approaching individual truck owners on the street and contacting companies. “All the truck owners will keep the artwork for around three months,” he said. “Especially the drivers who are independent owners, they all seem very happy about the artwork and want to keep it for a long time.”. He added the project was an opportunity to integrate street art into more parts of Hong Kong. Ten artists jointly completed the graffiti or hand-painted designs for six trucks, which will later be used for regular cargo transportation. Taiwanese graffiti artist Leho, 30, said it was rare to have a chance to complete such a full-scale work on a truck.  “It was usually identified as illegal graffiti in Hong Kong to paint on a vehicle," he said. Mooncasket, a 35-year-old local illustrator, painted on a truck for the first time.  “I feel like the works that are created on small canvases might only sit inside a gallery or at home, while the audience could interact with my artworks and get more attention when there was a truck painting,” she said. Lindsey McAlister, 65, an artist who has attended the festival as a visitor for years, said she was looking forward to …

Hong Kong’s first secondhand fashion festival pushes for environmental friendly

  • 2026-03-30

The first secondhand fashion festival “Secondhand Easter” opened today in Wan Chai Hopewell Centre, running three days until 29th March 2026.  The event features a marketplace, pop-up clothing swap, upcycling workshop and also garment repair and maintenance services.  It aims to address Hong Kong’s textile waste crisis, using Easter Festival as a theme to symbolise giving secondhand clothes a new birth.  Follow the link below to watch the full reel: https://youtube.com/shorts/5xwSgY1CdYo?si=uISP1f2Z5kIQJZXz

Culture & Leisure

Plush flower exhibition marks its Asian debut in Hong Kong

The Plush Flower Market was held at the Central Harbourfront from Mar. 19 to Mar. 22. It offers a variety of plush flowers for purchase. The touring exhibition marks its first presentation of plush flowers from the renowned Australian hyperrealist artist CJ Hendry outside the United States, with Hong Kong as its first stop in Asia. It is also one of the highlights in Hong Kong’s Art March 2026 programme. Follow the link below to watch the full reel: https://www.youtube.com/shorts/KguLlHIyo2c  

Society

Different regional cultures blooms at HK Flower Show 2026

The Hong Kong Flower Show 2026 is hosted at Victoria Park from Mar 20 to 29. This year, the show features approximately 400,000 flowers, including about 40,000 violets as the main attraction. Exhibitors from 236 organisations across 10 countries and regions participated in this year’s show, showcasing flowers that represent the unique characteristics, traditions, and cultures. Follow the link below to watch the full reel: https://www.instagram.com/reel/DWNs67AE-Eu/?igsh=MTcweXg2MjcyNW91aA==