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Islamic content in textbooks spurs discussion on religious education in Hong Kong

  When Adeel Malik, an English teacher at a local school in Kwai Chung, saw messages on social media linking terrorism with Islam, he was upset. "They are basically explaining a social issue, but then they are connecting [terrorism] to Islam in a way which [the] Islamophobes know best," Mr Malik said. Screenshots of the two books, Journey Through History: New Topic-based Series and the Liberal Studies (LS) Advanced 2020, have been circulating in Muslim WhatsApp groups. The liberal studies book said some Muslims wanted to "safeguard" Islamic doctrines and cultures and they "started wars and attacks" against Western cultures. That ignited discussions on Islamic education among members of the Muslim community in Hong Kong.  More disturbing for Muslims living in Hong Kong was that a history textbook contained false information about Islamic history.   The book, among other things, claimed that Prophet Muhammad's face was shown in several paintings in the 15th century, but were discarded later to prevent idol worship of the Prophet and to focus on Allah [God in Arabic]. That's false, according to Islamic teachings. Islam prohibits drawings of any image of human beings. Raza Nasir Razi, an LS teacher at the Islamic Kasim Tuet Memorial College, is not surprised by what's in the books. During his career as a teacher in Canada, similar misunderstandings of the religion were common in the school curriculum. He found that misunderstanding of Islam to be "universal,"  referring to the common misconceptions of Islam in the West.  "A primary mistake is that the textbook author [said] that Prophet Muhammad is the founder of Islam," Mr Nasir said. "Muslims believe that Prophet Muhammad was the final prophet and believe in all the prophets mentioned in the Abrahamic faiths." But, Mr Malik is optimistic about the city's effort towards including Islamic education in …

People

Mandy Lee: A Pioneer in Escapism Cooking

Using a finger to make a well in the flour, Mandy Lee poured in the beaten egg yolks. She added water and salt to the mix and aggressively manoeuvred it, kneading and tearing it until a silky dough was formed. She carefully flattened it through a pasta machine and unwaveringly incised it to create uniform strands.  Staring at the finished product in front of her, Ms Lee found her suppressed anger and anguish briefly consoled via the exhaustive pasta-making session. Spellbound by this sensation, she did not leave her apartment until she perfected the tonnarelli recipe two weeks later.  "Without knowing it yet, I became what I would like to call later on – an escapist cook," Ms Lee wrote in her blog Lady and Pups. The Taiwanese-Canadian, 40, moved to Beijing in 2010, where she struggled living under China's communist regime. She began cooking as a form of escapism from the torture of her reality. This later evolved into her writing an "angry food blog" and the cookbook The Art of Escapism Cooking. Ms Lee was born in Taiwan in 1980 and spent her teenage years in Canada. She dropped out of University of British Columbia after a year to pursue art school in New York. Graduating from Parsons School of Design, she then worked at an architecture firm before starting her own dog food business with a friend. Reflecting on her seven and a half years in New York, Ms Lee said the city complemented her personality the most. "I love New York for the kind of city it is and the kind of energy it has and the kind of freedom it provides," she reminisced. However, such a lifestyle was quickly uprooted when her husband had to move to Asia for a job, finding herself living in …

Society

Assault survivors: The inevitable trauma that follows

Divya, 23, sits on the rooftop of the building she lives in and savours the pink and purple sunset Hong Kong has to offer. It's her favourite place in the world, her comfort, like being wrapped up in a big, cosy blanket on a chilly day.  But in that same place more than 10 years ago was where she was sexually assaulted. At the time, she was 12 and her assaulter was 20. He was a relative who stayed under the same roof as her and would touch her inappropriately almost every day until she was 14.  Until one day, while it was happening, she blacked out. She doesn't recall anything apart from waking up and shoving him off her. After that point, family tensions started rising due to unrelated reasons and he was out of her life for good.  To this day Divya, who asked to be identified only by her first name, hasn't mentioned it to anyone in her family for she was terrified of victim-blaming, a prominent yet toxic culture in South Asian households where she was raised. Sexual violence is more likely to occur in patriarchal cultures, research has shown, and victim-blaming, when a woman is blamed for causing the assault because of her clothes or behaviour, is still prevalent. "I was afraid that people would think it was my fault," she said.  31 cases of rape and 414 cases of indecent assault have been reported as of August this year, according to statistics from the Hong Kong Police Force. While it showed a decrease compared to statistics last year, the reality is that many victims of sexual assault do not come forward. One out of seven women will experience sexual violence in Hong Kong, but nine out of ten stay silent in a report conducted …

People

The Chinese calligraphy behind a neon sign: a sunset industry reflourishing?

When you pay close attention to the corners and gaps of this city, the neon signs hold the nostalgic side of this metropolis-- be it still sparkling, drizzling or already lights out. Surrounded by a bright yellow lightbox with painted words ‘Zan1 Tai2 Zi6 'and emblazoned with white, red and fluorescent signboards, a man is repeatedly hand-writing to keep this tangible culture alive in a tiny corner shop in North Point for over 30 years. Au Yeung-cheong, the owner of King Wah  Signboards has been running his business by writing specific calligraphy on the signboards  “It is zan1 tai2 zi6!”  Mr Au exclaimed.  He emphasized there are oblivious differences between Traditional Chinese calligraphy and zan1 tai1 zi6. 

Society

Hong Kong ethnic minority face racial discrimination when seeking for housing

Malik Omar Zaman, a Pakistani who moved to Hong Kong 6 years ago, has been rejected more than 35 times when seeking a house in Hong Kong. He looked at about 50 apartments before he finally got to rent the current one.  "We found a nice apartment and the agent told us the landlord is not willing to give it to you," said Mr Zaman. Mr Zaman lives in a 350 square meter apartment in Yuen Long, one of the less expensive districts in Hong Kong, with his wife and two daughters.  Mr Zaman is among the 90% of ethnic minorities in Hong Kong who face racial discrimination when looking for a home, according to a survey  by two local NGOs, Hong Kong Unison and Hong Kong Ministry Refugee Group in late 2018. And though Hong Kong’s discrimination law makes this illegal, there is little recourse for rejected tenants who are often forced into illegal sub-divided flats and other substandard housing. There are a total of 583,383 ethnic minorities residing in Hong Kong, constituting 8% of the whole population. This includes Filipinos, Indonesia, Indians, Pakistanis, Nepalese, Bangladeshis, and Sri-Lankans, according to the 2016 population By-census Thematic Report. Many of the ethnic minorities live in Tsim Sha Tsui, Yuen Long, Sham Shui Po, Tin Shui Wai, and Tuen Mun - where living costs are relatively low and around 40% of them live in a subdivided flat, according to the survey.  According to local ethnic rights advocacy groups, preconception about ethnic minorities and no legal charge for a rejection of tenants based on nationality are reasons for landlords not to lease apartments to ethnic minorities. The race discrimination ordinance in Hong Kong states that in any circumstances if on the ground of the race of that other person, a person treats that …

Society

Policy Address 20/21: HK government to introduce cash allowance for low-income families

Chief Executive Carrie Lam Cheng Yuet-ngor highlighted new public housing schemes for residents with plans to provide low-income families currently waiting in line for public rental housing with cash allowance over a prolonged period. In the live broadcast, Mrs Lam hopes that the new schemes will "get Hong Kong out of the impasse and restore people's confidence as soon as possible."  To meet the demand of about 301,000 public housing units, the government plans to use 330 identified hectares of land required based on the Long Term Housing Strategy Annual Progress Report 2020 to implement 316,000 flats within the next 10 years.  Locations involved the Tung Chung reclamation side, the agricultural and brownfields sides in new development areas such as Kwu Tong North, Fanling North. Other suggested areas include nine sites at Kai Tak and Anderson Road Quarry, and parts of Fanling Golf Course will also be used for public housing development.  "It is the prime time to create more land for housing," she said. Ms Leung, who has been in line for public rental housing for four years, rated the policy address one out of 10. "She [Carrie Lam] did introduce new public housing, but it seems that the majority would be sold in the market rather than being rented, which would have zero impact on shortening the waiting time for public rental housing," Leung said. Currently, the waiting time for public rental housing averages at 5.6 years, which has increased by 0.1 years compared to June this year. As of September, there are about 156,400 general applications for public rental housing and about 103,600 non-elderly one-person applications.  A new cash subsidy will roll out for people waiting for public rental housing. In the trial scheme, applicants with two or more persons, and elderly one-person applicants not living in …

Society

Policy Address 20/21: Property agents welcome but remain skeptical towards commercial property tax abolition

  • The Young Reporter
  • By: Zhu Zijin Cora 朱子槿、Vikki Cai Chuchu、Yoyo Kwok Chiu TungEdited by: Kawai Wong、談 巧童
  • 2020-11-25

The city's leader announced today to abolish tax for commercial properties, real estate agents express positive attitudes towards the policy but some of them cast doubt on its effectiveness due to the uncertain investment environment under COVID-19. In her fourth annual policy address, Chief Executive Carrie Lam Cheng Yuet-ngor said the government will abolish the Double Stamp Duty (DSD) on commercial property to facilitate businesses to cash out by selling non-residential real estate so to stay afloat during the economic downturn. The policy will take effect tomorrow. "As a result of the economic downturn and uncertainities surrounding the COVID-19 pandemic, prices and demand for non-residential properties have been dropping over a period of time," said Ms Lam. "The government considers now the right time to abolish the DSD imposed on non-residential properties." Hong Kong saw its Q3 GDP decrease by 3.5% in real term on a year-on-year basis. For the net output in the real estate, professional, and business services sector, it decreased by 5.9% in real terms in 2020 Q2 from a year earlier, following a decline of 4.6% in Q1, according to the Census and Statistics Department. The DSD, formally known as the Doubled Ad Valorem Stamp Duty, was first introduced in February 2013 to deal with the surging prices of commercial properties. The rates range from 4.25% to 8.5% depending on different asset prices.  Lau Kin-ling, 59, a real estate agent said the abolishment of commercial property tax is helpful for the market but it is hard to predict the effectiveness.  "The policy may not attract a considerable amount of mainland investors since the borders remain closed," said Ms Lau. "The major factor for buyers to purchase a commercial property is field visit so that they can access the actual environment, simply presenting an advertising video would …

Society

Policy Address 20/21: A report not for our citizens": Hong Kong Pro-democrats criticise latest policy address

James To was in his office putting things away in boxes for removal while watching the live broadcast of policy address on television. On the screen is Carrie Lam, wearing the lapel pin of the Chinese and Hong Kong flag, standing in the chambers of the Legislative Council, giving her speech. The former lawmaker used to be sitting in the chambers, listening to the Chief Executive's annual address alongside many other colleagues from the opposition camp. Now, there are none of them left in the chambers. This is the first policy address ever given in the city's history without any pro-democratic lawmakers. "We used to protest in the chambers when there's [a] policy address, but right now, all the people left in the chambers are the puppets of the [the] Communist party," said Mr To, referring to the pro-Beijing lawmakers, who remained in the chambers. On November 12, the Democratic lawmakers resigned in solidarity with those who are disqualified by the government, with powers from the Beijing authorities, citing a threat to national security. That leaves the highest legislative body in the city with no dissenting voice for the first time. Claudia Mo, another lawmaker who resigned, criticised this year's address to be a report to integrate Hong Kong into the mainland, instead of having the city's best interest at heart. "The goal is to 'disappear' Hong Kong as we know it. I lost count of how many times she said Hong Kong enjoys  Beijing's 'central support', like without which we just couldn't survive on," she said as she watched the address online, with no appetite for lunch.  Wu Chi-wai, the chairman of the Democracy Party, said that the annual policy blueprint is more like a report from governors of provinces to the Beijing government. "You cannot find a word …

Society

Mixed-mode art exhibition lights up Hong Kong cultural service in post-pandemic age

  • The Young Reporter
  • By: WANG Yichun、Summer LiEdited by: Han Xu、Cassie Zhang
  • 2020-11-21

In face of the declining visits due to the public gathering restrictions amid the COVID-19 pandemic, Hong Kong cultural sectors seek innovative solutions by delivering online/offline art programmes to the audience.  The Fest Box program, launched for free by the Leisure and Cultural Service Department on Nov. 1, enables the public to enjoy and immerse in various cultural programmes by simply clicking on the programme's website at home. "The online world allows us to explore more possibilities," said Addy Wong Ngan-ping, Senior Media Coordinator of Muse Fest HK in a promotion video of the Fest Box. Facilitated with advanced online technologies, the team was able to create a chance for global audiences to appreciate artworks at any time. The Fest Box is not the pioneer of the virtual exhibition in the arts industry. Statistics from HK01 show that since the implementation of the restrictive policies amid COVID-19, 94.9% of art performances, festivals, and venues have been cancelled or postponed during the first quarter of 2020. As a result, many local art exhibitions, art festivals, and venues have switched to online mode. From March 18 to 25, Art Basel Hong Kong, one of the local signature activities that were originally cancelled due to the epidemic, set up the "Online Viewing Rooms." The initial form was so welcomed by the public that online visitors increased by three times to 250,000 compared with the previous offline ones, according to the statistics of HK01. As the LCSD announced on October 28, the limit on the number of visitors in each facility of LCSD museums, performance venues, and parks was relaxed from 50% to 75% starting from Oct. 30. In response, some art service providers started to organise both online and offline cultural activities. The Hong Kong Space Museum presented the "Univers/e" virtual reality exhibition …

Society

Hong Kong celebrates 'Once In a Blue Moon' Halloween amid COVID-19

Traditionally, Halloween has been a festival for people to dress up as different characters and go trick-or-treating. But, the Halloween of 2020 has been a different one: Hong Kong is celebrating the festival under COVID-19, along with a 'blue moon'. The blue moon phenomenon, which refers to the second full moon in the same calendar month, is also the origin of the English phrase 'once in a blue moon'. The first blue moon appeared during the Mid-Autumn festival in early October.  "We are excited to see what everybody is talking about, and also looking forward to seeing it [the blue moon]," said Alex Nathan, 45, who came to the West Kowloon Cultural District to take part in Halloween activities such as face painting. Mr. Nathan also brought four other children to the District, with all of them dressed up as different characters, including a vampire and ballerina.   "The blue moon is making the day more special," said Will Mok To-Wing, 31, and Rebecca Cho Miu-Kwan, 24. Mr. Mok and Ms. Cho decorated their gathering venue with outdoor chairs and pumpkin lanterns, while also sharing food with their friends. Under the blue moon were a group of adults and children dressed as the hit Japanese game character Mario, which were bought from an online shopping platform for less than HK$500.  "We wanted to dress up at a low cost and with clothes that can have different recognizable colours, so we chose Mario," said Cuby Lau Pui-Yu, 32, who put on a green Mario costume, along with her former classmates and their children. Apart from the costumes, Mr. Nathan, Mr. Mok, Ms. Cho, and Ms. Lau also carried face masks and hand sanitizers in their bags, with the pandemic still looming large in the city.  Due to COVID-19 and unstable weather in …