Culture & Leisure
Hong Kong celebrates 'Once In a Blue Moon' Halloween amid COVID-19
- 2020-11-01
- Society
- The Young Reporter
- By: LI Chak Ho SamuelEdited by: Jay Ganglani
- 2020-11-01
Traditionally, Halloween has been a festival for people to dress up as different characters and go trick-or-treating. But, the Halloween of 2020 has been a different one: Hong Kong is celebrating the festival under COVID-19, along with a 'blue moon'. The blue moon phenomenon, which refers to the second full moon in the same calendar month, is also the origin of the English phrase 'once in a blue moon'. The first blue moon appeared during the Mid-Autumn festival in early October. "We are excited to see what everybody is talking about, and also looking forward to seeing it [the blue moon]," said Alex Nathan, 45, who came to the West Kowloon Cultural District to take part in Halloween activities such as face painting. Mr. Nathan also brought four other children to the District, with all of them dressed up as different characters, including a vampire and ballerina. "The blue moon is making the day more special," said Will Mok To-Wing, 31, and Rebecca Cho Miu-Kwan, 24. Mr. Mok and Ms. Cho decorated their gathering venue with outdoor chairs and pumpkin lanterns, while also sharing food with their friends. Under the blue moon were a group of adults and children dressed as the hit Japanese game character Mario, which were bought from an online shopping platform for less than HK$500. "We wanted to dress up at a low cost and with clothes that can have different recognizable colours, so we chose Mario," said Cuby Lau Pui-Yu, 32, who put on a green Mario costume, along with her former classmates and their children. Apart from the costumes, Mr. Nathan, Mr. Mok, Ms. Cho, and Ms. Lau also carried face masks and hand sanitizers in their bags, with the pandemic still looming large in the city. Due to COVID-19 and unstable weather in …
Halloween brings large crowds to Lan Kwai Fong amid COVID-19
- 2020-11-01
- Society
- The Young Reporter
- By: Simran VaswaniEdited by: Jay Ganglani
- 2020-11-01
Hundreds dressed in costumes gathered at Lan Kwai Fong for a night of partying on Halloween, with packed streets and long queues accumulating for bars and nightclubs, amid the city's on-again, off-again social distancing measures. "We can't take off our masks at all, take proper photos or completely enjoy ourselves," said Sparsh Goyal, 20, a university student in Hong Kong who came to celebrate Halloween with her friends, while having to sanitize her hands frequently to enforce self-hygiene and remain safe. Up until Friday, bars, restaurants, and clubs were only allowed to operate at a half-full capacity, with a maximum of four people per table allowed at restaurants, two at bars, and a required midnight closing time. On Friday, the government announced it would ease measures with the limit of people at restaurants raised from four to six and from two to four at bars. Clubs and bars were also allowed to operate at a 75% capacity till 2am, a two-hour increase for party-goers. Police took extensive measures to ensure crowd control. Signs were hung at every corner to guide people through designated entrances and exits, as well as to make sure they were following social distancing measures. Some were not so worried about the risk of contracting the disease even while being present amongst such a large crowd. "There is not a big chance of catching COVID while just walking around [Lan Kwai Fong]," said Chan Yu-Hon, 34, who said it was his first time celebrating Halloween at the city's prime party street. Most bars and clubs followed anti-epidemic measures such as temperature checks upon entry and providing hand sanitizing gel. "It's kind of surprising and unusual to see this many people together now," said Aidan Cheung, 23, referring to the large crowds. Since the start of the pandemic, …

A fancy walk leads locals to meet ethnic minorities' neighbours
- 2020-10-27
- Culture & Leisure
- The Young Reporter
- By: ShukmanSoEdited by: ShukmanSo
- 2020-10-27
Arabic signs, Islamic symbol on restaurant signboard, grocery store filled with spices line along Kwai Chung’s Ping Lai Path, a community surrounded by industrial buildings. The local cultural tour group led by the guide, Minhas Rashad, an inhabitant of South-Asia speaking fluent Cantonese, shows visitors an ordinary day of the South Asian and the Chinese residents live and gather in the area - a feature the community is notorious for. "Hong Kong is a wonderful city for travelling. For tourists, Hong Kong might be a city with Buddhist temples, Cha Chaan Teng, natural scenery on islands," said Minhas Rashad. "However, for us, it is not the full story." Having lived in Hong Kong for more than 30 years, Mr Rashad thinks a warm-hearted community is important, however, Hong Kong people are more self-conscious and too busy that they barely pay attention, care and communicate with neighbours. "Now, the situation has changed," Mr Rashad said. "This is not a typical cultural tour as usual. Unlike Chungking Mansions, Ping Lai Path is way beyond tourist attraction," said Fikiyo Yiu, an officer from Hong Kong S.K.H. Lady MacLehose Centre who organizes this community project for ethnic minorities uniquely. The tour is operated by a community centre called Kung Yung Koon, that welcomes visitors to get a glimpse of the South Asian immigration history and living culture by exploring in Kwai Chung district. It is one of the projects of 'Our community of Love & Mutuality: Nurturing Cultural Diversity & Community Legacy in Kwai Chung'. "As to enhance cultural sensitivity in Hong Kong, our project targets residents who live nearby the tour instead of foreign tourists," said Ms Yiu. Ms Yiu thinks the tour is a starting point for Hong Kong people, especially those living nearby to contact South Asians eating and living culture. …
Art exhibition disCONNECT HK takes over tenement building to reflect on COVID-19
- 2020-10-18
- Society
- The Young Reporter
- By: TUNG Yi WunEdited by: 談 巧童
- 2020-10-18
Fourteen artists will showcase their works in an exhibition about connection, belonging, isolation, and the role of technology under the pandemic by taking over a restored 1950s Hong Kong historic tenement building. Local non-profit arts organisation, HKwalls is collaborating with Schoeni Projects, a contemporary art project based in Hong Kong and London to launch disCONNECT HK from October 11 to November 29, featuring artists from Hong Kong, the UK, Germany, Italy, Iran, Portugal, and Spain. "Everyone needs a bit of art and everyone is craving it, especially when we are having such a hard time now," said Jason Dembski, 39, founder of HKwalls. Organisers decided to hold disCONNECT HK at a rehabilitated tenement building to inherit most of disCONNECT LDN, the original project which took place at an 1850s Victorian townhouse in South West London from July to August this year. The three-floor exhibition in Causeway Bay is open to the public for free, but appointments have to be made online in advance. To further allow the public to access the exhibition, HKwalls is also offering a 3D virtual tour at Hysan Place, which enables visitors to revisit disCONNECT LDN digitally. Despite the exhibition situated in the centre of the city, it has not been capturing much attention. "When we invite visitors to the 3D tour, people usually hesitate," said Hui Wai-sze, 28, an assistant curator from the Schoeni Projects. Ms Hui believes that education in Hong Kong has a huge impact on how people view art, in particular, street art. “A lot of us were educated that street art is not as presentable as other forms of art, and is not a proper medium to express our feelings and thoughts,” she added. She hopes through holding more family-friendly arts events like disCONNECT HK, the general public could have a …
Dark tourism in Chernobyl
- 2020-02-27
- Culture & Leisure
- The Young Reporter
- By: Moon LamEdited by: Nicole Ko
- 2020-02-27
Still remember Chernobyl where the nuclear disaster happened more than 30 years ago? Nowadays, Chernobyl has become one of the main tourist attractions in Ukraine. Watch and know more about dark tourism.
Cultural differences you may face in St. Petersburg
- 2020-02-12
- Culture & Leisure
- The Young Reporter
- By: Moon Lam、Nicole KoEdited by: Fifi Tsui
- 2020-02-12
"Rude" maybe tourist's impression towards people in St. Petersburg, Russia, but there may be an underlying misunderstanding behind the image. St. Petersburg is always considered a must-visit city in Russia, no matter for international or domestic travellers. Being the second-largest city in Russia, the area consists of canals and world-famous spots such as the Winter Palace, Saint Isaac's Cathedral and Peter and Paul Fortress. St. Petersburg remains attractive to tourists, but there are some factors pushing international visitors away. Russians rarely speak English. The majority of middle-aged and older people do not understand the language. According to a survey done by Romir research holding, 30% of the Russians can speak English to a certain degree, and only 3% of the interviewees claimed to be a fluent speaker. The low English speaking rate leads to a rough time for those visitors who do not speak Russian. No one can answer their questions if they face obstacles during their journey, resulting in an unpleasant travel experience. Хао Yu-Fei, a 20-years-old tourist from China, believed that language is the problem travellers face. As English is not widely-used among Russians, they cannot communicate fluently with the tourists. "When locals answer questions with simple English and do everything in a rush, travellers get an impression that Russians are impolite and rude. We understand that being straightforward may be a characteristic of Russian, but some people might have hard feelings towards that," Xao said. Xao also noticed that no matter what ethnicity people appear to be, Russians always intend to start the conversation using the Russian language. "In Russia, many people with an Asian face can speak Russain. The locals are used to it, thus feel natural to communicate in the Russian language with foreigners." Tourists may feel insecure when facing an unfamiliar language during travelling. …
Florist on the rise - Jang Dasol
- 2019-10-23
- Culture & Leisure
- The Young Reporter
- By: CarineChow、Mereen SantiradEdited by: Tomiris Urstembayeva
- 2019-10-23
A fresh garden scent, buckets loaded with handpicked flowers and a dozen students gathered in the Aisle, a co-working space in Kwai Chung. Jang Dasol, an award-winning florist from Korea, demonstrated how to create a floral structure to his Hong Kong students . "Sometimes, a bit of asymmetry can make your design appear more interesting," Mr. Jang said, arranging the flowers at different levels and angles and wrapping them into a bouquet. He cut the dark green ribbons at different lengths. Floral design dates back to ancient Egypt, as the Egyptians were decorating their places with flowers as early as 2,500 BC. The Egyptians used to fill a wide-mouth bowl with flowers of similar pattern, which emphasised simplicity. Now, floral design has evolved into a form of art, with cultural influences such as German and French styles. Although floral design has a long history, it only becomes popular in Hong Kong in recent years, as owners are often perceived as a luxury item that people give during celebrations or anniversaries, rather than an art form. In 2017, famous Korean florist Vanessa Lee Ju-yeon introduced Korean floral design classes in Hong Kong, which popularised this form of art in Hong Kong. Since then, Korean florists have visited Hong Kong to teach floral design. Mr. Jang is one of them and this is his second time teaching in here. Despite learning the basics of floral design in South Korea, Mr. Jang's style is mainly influenced by his time in Germany, as he puts emphasis on hard lines and structural design. Using natural branches as the backbone of his design, Mr. Jang then adds flowers with softer colour to create a harmonised and rhythmic piece, balancing the hard lines from branches and soft lines from petals. Mr. Jang is a two-time consecutive winner …
Creative writing — a journey of self discovery and breaking stereotypes for marginalised foreign domestic workers
- 2019-05-30
- Culture & Leisure
- The Young Reporter
- By: Katherine LiEdited by: Phoebe Lai
- 2019-05-30
As a foreign domestic helper in Hong Kong, Anni Juliana works in her employer's home six days a week up to 13 hours a day. On Sunday, her only day off, the 37 year old from North Sumatra in Indonesia spends this time on studying English and participating in creative writing. Ms. Juliana is one of the over 360,000 foreign domestic workers in this competitive city, around 41 percent of whom are Indonesian. She is also one of 10 whose work was featured in Java Tales and Voices, a creative writing magazine published last December by local charity TCK Learning Centre for Migrant Workers. "Back when I was in school in Indonesia, I always loved to write in English," said Ms. Juliana, sitting cross-legged on a lush carpet in TCK Learning Centre's study room, while her friends outside put on makeup and sequined dresses in preparation for their angklung traditional Indonesian music performance later that afternoon. "I had to go find work, but I still try my best to find these opportunities." Under the instruction of Becky Mitchell, their creative writing instructor, Java Tales and Voices was published as a compilation of creative works by migrant workers. Despite high operating costs, a number of workshops around the city have also been encouraging foreign domestic workers and ethnic minorities to tell their stories and take pride in their culture through creative writing. In her personal memoir titled Rainbow, Ms. Juliana tells a poignant personal story of struggle and hope, about how she fought to keep her family afloat and give her three children a future. "Tick tock… Tick tock… Days, months, years go by, my kids growing up. Time moves so fast. No one can control or stop it, or even push the pause button. A million tears fall. A million prayers …
A taste of Central Asia culture
- 2019-05-03
- Photo Essay
- The Young Reporter
- By: Tomiris UrstembayevaEdited by: Katherine Li
- 2019-05-03
Central Asia has always played an important role in connecting the East and the West both during the Silk Road period and now by joining the One Belt One Road Initiative. Rich Turkic and Persian history and culture later affected by Soviet diversity are reflected in the wide variety of cuisine. The Central Asia Centre is a non-governmental organisation aiming to provide Hongkongers a chance to explore the history, culture, traditions and nature of Central Asia. It has organised a cooking workshop to demonstrate Uzbek culinary art. The cooking class instructor from Uzbekistan, Ms. Munira, shows how to make golden-crispy buns with juicy meat — Uzbek samsa, which is a must-have on each table in her home country.
Art Review: The Stars Exhibition in Art Basel
- 2019-04-04
- Photo Essay
- The Young Reporter
- By: Oasis LiEdited by: Fang-Yi Chen
- 2019-04-04
This year, the 10th Chancery Lane Gallery especially displayed early artworks of a trio of avant-garde artists to commemorate the 40th anniversary of a historically important art event, which challenged official aesthetics and called for free artistic expression in the Post-Mao Era. Wandering at the colourful Art Basel, visitors could not help but slowed down their pace when a series of black and white photographic documentation came into sight. On an early morning in fall in 1979, the year after China initiated the economic reforms, a group of non-academy Chinese artists exhibited a total of 163 works with distinctive Modernist style and rebellious thoughts, displayed on the iron railings of The National Art Museum of China (NAMOC) after they were deprived the right to use an official exhibition space. Curators named exhibition with the word, Star, which means each star exists as an independent illuminator rather than the only illuminator during the Cultural Revolution when Mao Ze-dong was hailed as sun. This art exhibition without official permission gained huge supports from art students and famous artists at that time. On the following day of the opening, however, the police from the Dongcheng District of Beijing arrested two core curators, Huang Rui and Ma Deng-sheng, and acclaimed that The Star Exhibition affected the daily life of the masses and social order. After two months of demonstrations and negotiations, folk artists from The Stars Art Group eventually got legal permission to exhibit their artworks at the gallery of Beijing Artists Association, which attracted more than two hundred thousand audience. The second edition of The Stars Exhibition was successfully held in 1980, yet, it aroused the panic among senior figures of Chinese art field. An art exhibition jointly organized by Huang Rui, Ma Deng-sheng and Wang Ke-ping was banned due to the Anti-Spiritual-Pollution Campaign launched …