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Society

Animal rights activists protest HKTVmall’s parent firm over animal experimentation projects

People for the Ethical Treatment of Animals Asia, an international animal rights group, staged a protest outside HKTVmall’s parent company in Tseung Kwan O on Friday, demanding the firm halt all animal experiments linked to its life sciences project. According to Hong Kong Technology Venture Company’s 2025 annual report, the firm has  conducted 38 animal experiments since 2022 to keep organs – including heads and limbs – for extended periods after removal, aiming to develop new technology for long-term human organ preservation. The organisation called on HKTV to adopt non-animal testing alternatives and urged the public to boycott its product over what it described as animal cruelty. Four protestors who dressed in bloodstained clothes and wore pig and lamb masks stayed in a “pool of blood” outside the headquarters of HKTVmall for about an hour from noon. Jackie Tang, the campaigner and social media coordinator of PETA Asia said such visuals expose the “bloody reality” of animal testing. He said HKTV has been experimenting with “zero transparency,” as there is no way to oversee how the experiments were conducted, nor any indication that ethical alternatives were considered or how many animals were killed. “They claim that there is no cruelty involved, saying the animals are killed after being put into amnesia and decapitated, but they are still sentient beings, they feel terror and pain,” he said. Louis Ng Wai-mei, an advocate who represented Animal Rights Education by Non-profit Making Veterinary Services Society, said medical techniques and drugs used today were undeniably developed through animal testing. But she argued that scientific progress does not necessarily rely on animal testing. “Scientific and technological progress comes from challenging outdated practices and striving for better,” Ng said. She hopes that animal testing will eventually be abolished. HKTV has invested over HK$44.5 million in this …

Society

LGBTQ couples in Hong Kong face difficulties securing legal protection

Ah Moon, 55, who does not want to reveal her real name, initially had no intention of making decisions about legal safeguards for herself and her same-sex partner related to end-of-life matters. She began to consider these issues more consciously during a hospital stay in 2002, while she was in a relationship with her ex-girlfriend. “I was afraid of what would happen if I never woke up again, so I drafted a few pages of plans on blank paper myself after discharge,” she said. Hong Kong does not legally recognise same-sex marriages. Ah Moon said because her family does not care about her relationship, she worries that her wishes after death will not be honoured.  In September, the Legislative Council rejected a bill to legally recognise same-sex partnerships by a large majority, leaving same-sex couples to rely on fragmented legal documents and personal requests to protect end-of-life decisions such as inheritance, medical choices and funeral arrangements. Rufina Ng, a senior associate at Hastings & Co, a law firm that offers free legal consultation for the LGBTQ community, said same-sex partners are highly recommended to plan in advance for end-of-life, though they still face limitations. Ng said the most common end-of-life legal challenges faced by same-sex couples in Hong Kong are claiming the body and inheritance, particularly if there is no will or there is conflict between the surviving partner and the deceased’s family. “Same-sex couples lack the legal status of spouses or family members under Hong Kong’s legal framework. When one partner dies without a will, the surviving one currently has no inheritance rights and other relatives may also oppose their handling of funeral arrangements,” she said. Hong Kong’s current inheritance laws only recognise spouses and a few other relatives. Unmarried partners, whether same-sex or not, receive no legal protection. …

Culture & Leisure

Chops, sidekicks and smashes: Professional wrestlers wreck the ring at Chai Wan

On the night of April 5, Ricky Marvin, a Mexican professional wrestler, knelt in a corner of a wrestling ring at Chai Wan Youth Square, trembling as he looked towards the three other wrestlers surrounding him. This was a fatal four-way match, in which professional wrestlers compete simultaneously, though three of them had teamed up against Marvin. Marvin swore and shouted at his opponents. The three wrestlers smirked and stamped on him as the audience burst into laughter.   Across two nights, April 5 and 6, 18 professional wrestlers exchanged blows and kicks at an event organised by the Hong Kong Pro Wrestling Federation, which has staged wrestling events since 2009. Titled “Shin Squared Circle Vol.2: World Wide Wrestling”, the event featured three international wrestlers, Ricky Marvin from Mexico, Katsuhiko Nakajima from Japan and Elijah Blum from Germany.  The two-night event included nine matches, including singles, tag team (2 vs 2) and fatal four-way matches and attracted around a hundred audiences. For Blum, it was his first time wrestling in Hong Kong. He has pursued his professional wrestling career in Germany since 2021, and said the setting in Hong Kong is quite similar to that in Germany. “In Germany, it is hard to entertain the audience in the cities as they have already seen so much wrestling. I feel the people in Hong Kong are really up for being entertained. They love the whole show, which is amazing,” he said. He said he would like to wrestle in Hong Kong again if HKWF invites him back. Danny Freer, 49, is a school teacher in Hong Kong from the United States. He and his wife have followed professional wrestling for 12 years and have attended several World Wide Entertainment events before. The married couple were there to support Owen, a local wrestler.  …

Business

Art Basel Hong Kong logs seven-figure deals and crypto sales amid global market rebound

  • By: ZHOU YunEdited by: Wang Yunqi
  • 2026-04-06

Art Basel Hong Kong recorded multiple seven-figure transactions and completed its first Ether-denominated sales through a new digital art sector, as the global art market ended a two-year sales decline. The five-day fair at the Hong Kong Convention and Exhibition Centre drew 91,000 visitors and featured 240 galleries from 41 countries and regions, including Gagosian, David Zwirner, and Tang Contemporary. David Zwirner sold a 2006 Liu Ye painting for $3.8 million and a 2002 Marlene Dumas work for $3.5 million, according to the fair's website. The fair's strong results came amid a broader market rebound. According to the Art Basel and UBS Global Art Market Report 2026, global art market sales rose four percent to $59.6 billion last year, with the U.S., U.K., and China accounting for a combined 76 percent of revenue. https://playful-khapse-3e93c2.netlify.app/ Auction sales climbed six percent to $24.8 billion, driven by high-value works. Transactions above $1 million rose 21 percent year-on-year, while those above $10 million gained 30 percent. Dealer sales rose two percent to $34.8 billion, constrained by rising operating costs. Zero 10, Art Basel's global digital art initiative, made its Asian debut at the fair, featuring 14 institutions presenting works using artificial intelligence, algorithms, and immersive technology. Korean digital artist DeeKay Kwon's work I WANNA RUN sold multiple editions at 6 Ether (ETH), approximately $13,000 each, according to his gallery, AOTM. The gallery said the transactions reflect growing collector demand for digital art. Digital, film, and video art represented three percent of total dealer sales in 2025, up two percentage points from 2024 but still below the five percent peak recorded in 2022, the report said. Reporters: Zhou Yun, Hui Tsun Ka, Li Ka Yu, Gu Chun Kai Editor: Wang Yunqi

Society

Would you like to be “friends with badminton”? Hong Kong focuses on abstinence, not sex education

When she was just 15, Fung, who does not want to reveal her full name for fear of negative consequences, found herself having her first sexual encounter. It was neither planned nor reckless. Years later, she said she did not regret it, but she wished she had known more about her body, consent and the emotions she felt that night. “I don’t feel bad about my decision, but if I had known more about this behaviour, I wouldn’t have felt so confused,” Fung said. Fung’s story is not unique. As access to social media, pornographic content and online conversations about sex continue to rise, the city’s Gen Z population is learning about intimacy at a younger age in a world that they say is more confusing than ever. But they say sex education in public schools has not caught up. Fewer young people are having sex, according to the latest survey by the Family Planning Association of Hong Kong in 2021. But among those who are, the average age has dropped to 14. In 1997, the Education Bureau published guidelines for schools on sex education, but left it up to the schools to design their own programmes. By following those guidelines, schools focused more on values and attitudes towards sexuality, while providing less information about practical knowledge, such as condom use and how to prevent HIV. Sex education in formal lessons often emphasises the physiological aspects, such as reproduction mechanics, which may overlook psychological and social topics, such as sexual consent and gender equality, according to a 2022 study by the Equal Opportunities Commission, a semi-governmental agency concerned with public social issues. “When condoms or the process of sexual intercourse were mentioned in class, the teacher just briefly glossed over them and moved on. I didn’t get any practical knowledge …

Business

Hong Kong office market active on relocations, but recovery fragile

  • By: LIN Xiaoyou、ZHONG XinyunEdited by: Zhou Xinying、ZHOU Yun
  • 2026-04-01

Zhou Haoming, a marketing and editing position in a publishing company at Park Commercial Centre in Tin Hau, observed that an increasing number of companies had moved out of the building over the past six months, leaving the premises noticeably quieter and less populated. After the companies moved away, the number of partner businesses in the office building, with which  Zhou’s company could jointly carry out promotional activities, decreased significantly. Corporate relocation activity was active in 2025. AIA Hong Kong announced in 2024 that it would expand into AIRSIDE, an A-grade commercial building in Kai Tak, as a new operations and training base for its financial planners. Activities gradually moved into the new office in 2025. Cory Tsai, a financial planner at AIA, said the new location offers better transport connectivity and amenities, as Kai Tak is now regarded as Hong Kong’s new economic centre. AIA’s relocation to new business areas is not an isolated case. Since the second half of 2025, Hong Kong’s office market has seen a period of heightened activity driven by large-scale leasing transactions and relocations.   Among the more notable cases is UBS, which announced on February 3, 2026, that it would relocate and consolidate all of its Hong Kong offices into a single hub at the International Gateway Centre in West Kowloon.  Sam Gourlay, JLL Head of Office Leasing Advisory, also noted that more firms are expanding to emerging business centers such as West Kowloon and Tsim Sha Tsui, drawn by their strategic connectivity and access to the high-speed rail link to mainland China. While Hong Kong’s office market has found some stability supported by such high-profile leasing deals, the improvement has come mostly from corporate relocations, Gourlay said. JLL said in its press release that the office market showed a gradual recovery in the …

Business

Singapore’s dining shake-up: How a wave of foreign brands is reshaping the food scene

  • By: CHEN Yongru、Wang YunqiEdited by: TANG Siqi、ZHOU Yun
  • 2026-04-01

At 11 pm on a weeknight, Reenice Lim was still on her feet. The head of House of Roasted Meats, a homegrown roasted meat brand, was juggling walk-in customers and a stream of online delivery orders. Even with four outlets in Singapore, Lim stressed that running the business still comes with significant challenges. In 2025, Singapore’s dining scene underwent a major shake-up. Between Jan. 1 and Oct. 23, 2,431 food and beverage (F&B) outlets shuttered, while 3,357 new ones opened. Among those bowing out were homegrown brands like Fluff Stack, a six-year-old Japanese-style soufflé pancake chain that closed all five of its outlets in May, citing a challenging F&B environment in Singapore.  Accounting and Corporate Regulatory Authority (ACRA) data shows that over 60% of 2025’s shuttered F&B outlets had operated for fewer than five years. Amid the fierce market competition marked by a major reshuffle, Lim said for local operators like herself, “the biggest difficulties are the increasing rental costs and manpower costs”. This struggle is echoed by 33-year-old Xia Ziwen, a veteran Chengdu restaurateur turned Singapore entrepreneur, who noted that a local labor shortage has pushed manpower costs to 30% of total operating costs. Starting in March 2025, Ministry of Manpower (MOM)  regulations further mandate a minimum gross monthly wage of S$2,080 (HKD 12,850) for F&B stall assistants, intensifying the financial pressure on small-scale operators. To comply with the manpower quotas set by MOM, businesses must hire a specific number of locals to “unlock” foreign work permits. Xia noted that this regulatory obligation can push the total monthly cost of employing a single Malaysian retail assistant to S$5,000 (HKD 30,900).  Businesses heavily reliant on migrant workers, such as Lim’s roasted meat stalls, are especially hard hit by the mounting costs brought by higher government levies and stricter wage requirements. …

Culture & Leisure

Art Basel Hong Kong: Asia debut of Zero 10 sparks mixed reactions

Zero 10, a digital art-theme exhibition area featuring 14 exhibitors, made its Asian debut on March 27 at the three-day Art Basel Hong Kong this year. The event drew 91,500 visitors, but scepticism towards digital art and AI use remains.  Harvey Rayner, 51, an English artist for Art Blocks, writes code and algorithms to let people generate their own digital artwork on the computer and in print. “This type of digital artwork is not yet widely acceptable,” said Rayner. Joan Chen, 24, an exhibitor of Art Blocks, said some buyers may not have been exposed to digital artworks before, but they find participating in the creation of digital art a novel experience. Lydia Lee, 37, visited Rayner’s exhibition area and asked for the story behind the digital art piece creation. “I believe the collection value of digital artworks lies in the public’s interaction with them,” said Lee. “It is only valuable if one fully participates and understands the creative logic behind it.” “We’re really interested in educating and showing people here what generative art is,” said Rayner. According to the Art Market Report 2026 by Arts Economics, digital art is one of the most popular purchases among high-net-worth individuals.  In the early sales of digital works at Art Basel Hong Kong this year, seven artworks priced over US$10,000 have been successfully sold. Joshua Chan, a 36-year-old visitor, said digital art is a new trend in the art world, but he finds it difficult to assess its value because of AI development. “I think the general public will be attracted by the interesting interactive installations in Zero 10,” he said. “But it still takes time for people to truly appreciate and accept new forms of art.” “Everyone may use AI to generate unique works. This is not something that only artists …

Culture & Leisure

Edible art fair debuts in Hong Kong with mixed reactions

  • By: PENG Yixin Naomi、WU Sitan ElaineEdited by: Fu Rong
  • 2026-03-31

Hong Kong’s first edible art fair opened on March 26 in Central, drawing visitors’ appreciation, though some questioned its educational value and food safety. Located at the Harbourfront Event Space, the Central Yards Edible Art Fair features a 20,000-square-foot tent, which houses 10 galleries showcasing different art movements. “You're not only looking and listening, but you can play, take pictures and also taste the edible art treat, which makes for a more immersive cultural experience,” said Levina Li-Cadman, 55, curator of the fair. “Our daughter was quite excited when she found out she could get different snacks from each exhibit. We are very happy to see her running around the interactive areas,” said Steve Jon, 36, who visited with his family. Cathery Xu, 39, chief executive officer of Sunflower Media, a cultural industry operator, said the exhibition had provided her with new ideas for planning future art and cultural events. Several visitors said the ticket was expensive, at over HK$300 per adult depending on the time slot. “The experience is quite fresh, but it doesn't seem to be worth it, considering that only two exhibition halls feature works by individual artists,” said Shelly Zheng, 25, a short video content creator on Rednote and Instagram. The fair features installations by two local artists, while the remaining exhibition halls are themed around art movements, including Modernism, Pop Art and Surrealism. Tom Audrew, director and head of leasing & operations of Central Yards, said in a press release that the fair allows both residents and tourists of different ages and backgrounds to learn about different forms of art, introducing a more accessible and inclusive art experience. “This exhibition aims to promote art education, but the content is too shallow," said Anthea Fan, chief editor of Art Map, a cross-disciplinary art platform focusing on …

Culture & Leisure

Zero 10 makes its Asian debut at Art Basel Hong Kong

Art Basel Hong Kong 2026, the annual art event, returned on March 27 at the Hong Kong Convention and Exhibition Centre and will run for three days. This year's exhibition introduces the “Zero 10” digital art zone – its first appearance in Asia. The zone focuses on the use of technology in art, with 14 exhibitors showcasing how new tools are changing the way artists create. According to the  Art Basel and UBS Global Art Market Report 2026, digital art is the third-largest category in total expenditure. And the expert said that with Zero 10 in Hong Kong and heading to Art Basel Switzerland this June, watchers expect digital wave growth through 2026. Follow the link below to watch the full reel: https://youtube.com/shorts/IkZ7smdla6k?si=sUcoGRbA6Qd92MWf